Updated
Updated · The Guardian · Jul 13
Gracie Abrams’ 16-Song Daughter from Hell Draws Mixed Review for Dark Themes and Thin Identity
Updated
Updated · The Guardian · Jul 13

Gracie Abrams’ 16-Song Daughter from Hell Draws Mixed Review for Dark Themes and Thin Identity

3 articles · Updated · The Guardian · Jul 13

Summary

  • Daughter from Hell, Gracie Abrams’ third album, is framed as a 16-track plunge into knives, blood, ghosts and wreckage, using that imagery to probe blame, pain and responsibility.
  • The review says the 26-year-old’s goth-leaning turmoil clashes with music that stays quivering and pretty, with Aaron Dessner’s Folklore-like acoustics and Bon Iver features reinforcing familiar indie-pop textures.
  • Standouts include Broke My Heart, Men Like You and the age-gap drama Death Wish, while the title track, Good Reason and the Marcus Mumford duet What If It’s Right? are criticized as generic or cloying.
  • Abrams is credited with influencing Olivia Rodrigo and echoing Lorde, Phoebe Bridgers and Taylor Swift, but the review argues that three albums in she still lacks a clearly distinct artistic voice.
  • Audrey Hobert’s near-absence after co-writing six songs on 2024’s The Secret of Us is cast as telling: her lone credit on Minibar briefly adds the individuality the album otherwise misses.

Insights

After her 2026 single, has Gracie Abrams finally carved out a unique identity separate from her famous musical influences?
Is Gracie Abrams' 'saccharine sound' an artistic choice or a sign she has yet to escape the shadow of her famous collaborators?
How does Abrams' self-acknowledged privilege shape the themes of blame and responsibility explored in her 'Daughter from Hell' album?