Updated
Updated · thefilmverdict.com · Jul 1
Young Washington Wins Battle Scenes in 125-Minute Drama as Review Faults Flat Hero
Updated
Updated · thefilmverdict.com · Jul 1

Young Washington Wins Battle Scenes in 125-Minute Drama as Review Faults Flat Hero

3 articles · Updated · thefilmverdict.com · Jul 1

Summary

  • Jon Erwin’s 125-minute Young Washington earns a mixed review, praised for competent craft and vivid battle staging but undercut by a thin, overly symbolic portrait of George Washington.
  • William Franklyn-Miller’s lead performance is judged too blank to carry the arc from family hardship to military failure at Fort Necessity and redemption at Fort Duquesne.
  • Kelsey Grammer, Ben Kingsley and Mary-Louise Parker make stronger impressions in brief roles, while the film otherwise keeps its faith-based messaging relatively light aside from a divine-protection scene.
  • The review says the film’s sharpest filmmaking comes in combat sequences, where Kristopher Kimlin’s photography and David de Vos’ editing capture both battlefield chaos and period tactics.
  • Closing credits draw the harshest criticism: Grammer’s appeal to “pay it forward” is framed as helping Angel boost box-office totals through prepaid tickets that can leave “sold out” screenings sparsely attended.

Insights

With a $1.6B valuation, can Angel Studios make faith-based films a permanent force in Hollywood?
How will the 'pay it forward' model redefine what it means for a film to be a box office success?
When history is retold to inspire faith, where is the line between portraying a man and creating a myth?