Updated
Updated · The Guardian · Jun 2
Royal Opera House Launches 4-Day AI Arts Festival as Creatives Debate Ownership and Collaboration
Updated
Updated · The Guardian · Jun 2

Royal Opera House Launches 4-Day AI Arts Festival as Creatives Debate Ownership and Collaboration

2 articles · Updated · The Guardian · Jun 2
  • June 4-7, the Royal Opera House’s RBO/SHIFT festival in London will examine AI’s role in the arts, aiming to move debate beyond apocalyptic claims that the technology will “decimate” creative work.
  • The program frames AI as a complex shift rather than a simple replacement threat, arguing opera offers a useful test case because it blends multiple art forms while historically absorbing new technologies.
  • Ownership, consent and performers’ likenesses remain central concerns, with the festival stressing that direct profit from appropriation should trigger legislation, controls and protections.
  • Practical uses already look more immediate than AI-generated art, including workforce planning, scheduling, safety analysis and pre-visualisation tools that could cut waste in set-building and costume design.
  • RBO/SHIFT ultimately asks what AI can do for creatives—and what creatives can do in the age of AI—casting artists as active shapers of a technological transition already spreading across society.
AI can replicate an artist's style, but can it ever capture the unique energy of a live performance?
As AI art floods the market, will '100% human-made' become the new standard for authentic creative work?
What is the hidden environmental cost of AI-powered creativity, and who ultimately bears the burden?